All rights reserved. 65mm film cameras exist already. What’s your definitive piece of dream gear? The ALEXA XT (Xtended Technology) cameras add a number of significant and unique features to the ALEXA family: a Super 35 sensor with Open Gate and 4:3 sensor modes, in-camera ARRIRAW up to 120 fps, ProRes 4444 XQ, ProRes 3.2K, internal ND filter, Lens Data System, integrated CDL capture, ARRIRAW checksum, included anamorphic de-squeeze and high speed licenses, new viewfinder mounting … EVF-1 Viewfinder Included. ARRI Rental's ALEXA 65 system is available exclusively through our global network of rental facilities. In an interview they talk about this complex film production—and about their collaboration with ARRI. Your only chance of getting anywhere near this piece of equipment is to view the prototype on display in the German factory where it was made. Production is ramping up globally and demand for the ALEXA Mini LF continues to increase. Update your shipping location. Purchase: $100,000 – $200,000 (depending on configuration). Reset filter. Then, when you find some success, you’ll begin adding crew members and working with a production team. 12K IMAX in your cargo pocket. Gallery View Customize . With a single RED EPIC going for roughly $24,000 – $30,000, you can easily determine that the price tag for this piece of equipment is, well… it ain’t cheap. Arri Alexa Mini Schulterset - Arri Alexa Mini - 5 CFast Karten 128GB + Reader - 6 Cooke Speed Panchro P+S rehoused 18/25/32/40/50+75mm, Leica M08 oder Ultra Primes - Wooden Camera Premium Shoulder Rig - Arri FF-5 - Vocas Kompendium MB 435 . Looking for an ARRI camera in London? C $6,890.12. We’ll start things off with quite possibly the coolest A and B cameras in the world, which were nicknamed “Death Star” and “Millennium Falcon.” These two cameras were developed by Panavision specifically for director J.J. Abrams and cinematographer Dan Mindel, who used them to capture the latest installment of the Star Wars franchise, The Force Awakens. Neither company is … However, filmmakers William C. Shaw, Graeme Ferguson, Robert Kerr, and Roman Kroitor wanted a single projector/camera setup for large formats, so they introduced the world to IMAX. Hailed as an Oscar favorite, Phedon Papamichael’s “Ford v Ferrari” has it all: drama, high-speed car races and its all shot with the ARRI ALEXA LF. I actually bought this from someone here. Sully was filmed with ARRI Alexa IMAX cameras for almost the entire film. To purchase one, you’re looking at just north of half a million, which makes the IMAX camera one of the most expensive cameras in the world. Image processing of cinema cameras is done with fairly inexpensive FPGA chips that! System is available exclusively through our global network of rental facilities Prime lenses ARRI ALEXA LF on combination... 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