Trafficking in big ideas and big sounds, a band that operated on a grander scale than any other from the '80s and attracted legions of devoted fans.

The dizzy “Even Better Than The Real Thing” and snarling “Until The End of the World” lay the groundwork for an old-school-U2 catharsis on “Ultraviolet.” “Who’s Gonna Ride Your Wild Horses” is your romantic radio hit. The band members were just in their early 20s when they wrote and recorded this classic, and it shows—in all the best ways. Essential listening if you want to “get” U2.

Every product was carefully curated by an Esquire editor. The information presented within these pages is accurate to the best of our knowledge but is based upon information provided by other fans, research into individual items and several books, and U2 Songs takes no responsibility for any problems resulting from use of the material as presented within. Fans often count this as the beginning of a new phase for U2, a phase that ditched the band’s ‘90s smirk for a return to ‘80s earnestness. In 2019, U2 can still be listed alongside the likes of the Rolling Stones as one of the most influential legacy rock bands still touring. Even lesser-known songs, like the plodding “Red Hill Mining Town,” show off hooky, heavy songwriting chops. These are a few of my favorite things. Innocence’s “Every Breaking Wave” is perhaps the best U2 song of this century. U2 got into a run in the early aughts, which hit the bottom with How to Dismantle an Atomic Bomb. In any case there are many loving, encouraging words and it all gets to be too much. All That You Can’t Leave Behind (2000). Their first collaboration with frequent producers Brian Eno and Daniel Lanois, Unforgettable Fire was the strangest possible follow-up to U2’s fierce third album, War. Watching Europe change, and The Edge’s marriage dissolve, right before the band’s eyes. I even like the truly bizarre “Miami,” where Larry Mullen’s drums sound like they’re going both forward and backward and Bono rhymes “maybe” and “baby” like three times. Unforgettable hints at the band’s dawning infatuation with the United States and its history, most notably on the album’s most famous track, “Pride (In The Name of Love).” It’s U2’s “headphones album.”, If someone you know owns a U2 album, it’s probably this one.

The U2 discography lists all major known works which include U2 or a member of U2 has contributed. They just took a buzzsaw to the old machine and rebuilt it from the ground up, smashing the shards back together with abandon. “Fire,” “Gloria,” and “I Fall Down” throw sparks. The solemn title track and aching “Tomorrow” conjure the gray-and-green landscapes of U2’s homeland.

It’s all big stuff, but it shouldn’t obscure the fact that Achtung still contains everything fans love about U2. The jangly guitars are still in attendance, of course, just smoothed out here and there, like paint blended on the canvas. Still, you can see the bridge being built between Boy and War, their next album. The Joshua Tree. It’s better than people remember, though. alongside the likes of the Rolling Stones, The 25 Best Martin Scorsese Movies, Ranked. Even U2 drummer Larry Mullen, Jr. called this one “No Craic on the Horizon.” (“Craic” is Irish for “fun.”) Which is too bad, because it gets off to a strong start with the title track and “Magnificent,” a dance-y number complete with handclaps. The pounding “I Will Follow” is maybe one of the best album openers in pop history. The discography, news and video entries are copyright U2Songs and should not be reused in any form without permission, all images in the discography are scanned / generated by U2Songs from original sources and also should not be used without permission. 1991. “Trip Through Your Wires” feels unnecessary, though. Page rendered in: 0.3960 seconds, "Adam Clayton Appears on Virgin Radio and More ATYCLB News", "The Ground Beneath Her Feet and Other Promotion", "U2 Reissue “Boy” on White Vinyl for RSDBF", "U2 Charts in Six Decades: 70s, 80s, 90s, 00s, 10s and 20s! All rights reserved. But this is my favorite version of the band: Funny, sly, sometimes angry and world-weary, but raging against a wounded heart with booze and smokes and roaring laughter with great friends. It’s not that it’s bad, it’s just really awkward, overindulging the band’s fascination with American roots music. Which isn’t fair, because Zooropa is a charismatic, playful document of its time. And at times, it’s cringe-y and pretentious, like when Bono declares “Charles Manson stole this song from the Beatles — we’re stealin’ it back!” just before the band tears into a cover of “Helter Skelter.” A mix of live tracks and new studio work, it has some highlights, like “Desire,” “Heartland” and “All I Want Is You.” The live songs are enjoyable as well, but Rattle and Hum is really for fans only. You’ve got Bono crooning about peace and love, The Edge parting clouds, Adam laying down grooves, and Larry just killin’ it as always. Rattle and Hum. Awash in synthesizers instead of jangly guitars, it’s a moody and patient piece that rewards multiple listens. It scared me (a Catholic school kid in rural Iowa). Bono’s had a few big health scares in recent years: a nasty back injury in 2010, a serious bike accident in 2014, and some sort of near-death experience in 2016. Wide Awake in America - EP. There are ideas bubbling on this record, from “Moment of Surrender” — a 7-minute meditative groove recorded in a single take — to the bleak “Cedars of Lebanon.” But things never quite come into focus, especially when a fan-service rawk song like “Get On Your Boots” tears through the proceedings like a wet dog at a dinner party. Lyrically, the album explores the early days of the band and Bono’s turbulent teenage years. Lured by the single “Mysterious Ways,” I bought this album when I was 12 years old. Achtung received plenty of praise back in the day, but as it pushes 30 (yikes), the stories surrounding its recording are turning it into an untouchable Exile On Main Street-style legend: Sessions with Eno and Lanois in Berlin as the Wall crumbled. The whip-crack of Larry Mullen’s drum set snaps listeners to attention from the first moment of the first song, “Sunday Bloody Sunday.” (Larry Mullen, Jr. is a goddamn treasure, if you didn’t know.) Which isn’t fair, because Zooropa is a charismatic, playful document of its time.

1993. 1987. Site © 1995-2020 U2 Songs. To some, this album represents another Rattle and Hum-style overreach, taking a once-great idea (incorporating electronic beats and textures) and grinding it into dust. Wobbly Europop, giddy falsettos, shimmering guitars and ... Johnny Cash?

It includes albums, singles, solo work by Bono, Edge, Adam Clayton and Larry Mullen, promotional items, and U2 video releases.

U2’s second album is the pensive, nerdy brother to their debut, Boy. They also spent a chunk of 2018 on the road for their latest album, Songs of Experience. The U2 discography lists all major known works which include U2 or a member of U2 has contributed. Free-floating anxiety, fuzz and static, whispered advertising slogans, and monotone drone. This website is an informational resource for private use only and is not affiliated with U2, their management company, their record label or any related bodies. Adam Clayton’s bass playing is fantastically expressive throughout. And then added some shitty tinsel just for laughs. A sort-of sister album to 1991’s Achtung Baby, Zooropa often slips from view when looking back on U2’s ‘90s. Songs like “Do You Feel Loved” and “Gone” have solid muscles and bones under all that glitchy studio gloss. 1988. Zooropa. The magic moment when “One” cohered in the studio.

“Raised By Wolves” is as urgent as a cut from War, and as explicit as they’ve ever gotten about growing up in Ireland during the Troubles. Solid. The Joshua Tree’ After a string of hit singles, a spotlight-stealing set at Live Aid and a triumphant … Finesse … This Is Joe Biden When No One Is Watching, How to Survive the Next Few Weeks With Grace, A Good Mohair Sweater Is an Essential This Fall, This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. The album offers a surfeit of mid-tempo bluster without a lot of connectable lyrical content. U2 just, like, won’t go away. It’s uneven and subdued, but has its pleasures. When the 20-year-old Bono yelps, “I started a landslide in my ego!” on “A Day Without Me,” it’s hard not to smile. There is much emotional wailing about the wonders of an unspecified “you”: Is it God?

Related Blog Posts. A kind-of soundtrack to the band’s documentary of the same name, Rattle and Hum is possibly U2’s least-loved album. This is original recipe U2—never improved upon, only elaborated as the band built their arsenal of studio techniques over the years.

From there it’s a breathless sprint through 42 minutes of spiky guitars, righteous anger and lovesick optimism.